How to live
There are days like today when I almost can’t keep up with the stream of vibrant thoughts and plans flooding my head. And then there are days like yesterday, days when the fears and worries take hold and my internal sun is hidden behind a black cloud. It’s amazing to me how my emotions can swing so wildly when every twenty- four hours is seemingly the same, but these days I am learning how to keep my balance when the tightrope wobbles. Breathing slowly and with intention; opening my diary or art journal and letting myself express what it is I am feeling; sipping tea and giving myself half an hour with an inspiring book; cosying under a blanket on the sofa in the evening and watching a DVD that makes me laugh; a candle-lit bath before bed. These small things bring back the equilibrium when the walls threaten to crumble. I’m learning, I’m coping, and each day I live a little bit more fully.
April anxiety
Can anyone remind me why I’m choosing to turn my life upside down again and move back to London? The Fear has a hold of me today and even though I know why I have to leave here, and why my future will be found in the city, I’m scared. More precisely, I’m scared shitless – no flowery words needed to describe this feeling. If I’m in the city then I have no more excuses, because, on top of everything else, I’ll have a ridiculously large rent that I’ll have to ensure I can pay each month. Today I’m not sure I can do it. Everything seems to be speeding up, and I can’t find my running shoes. The words are blocked somewhere just below my belly, which is why my posts of late have been picture-based – it’s difficult to get the words out when The Fear is gripping your heart so tightly you can’t catch your breath or move from your seat. I need someone to hold my hand and tell me it’s going to be okay, because right now, I’m not doing a very convincing job.
The Journey
Above the mountains
the geese turn into
the light again
painting their
black shadows
on an open sky.
Sometimes everything
has to be
enscribed across
the heavens
so you can find
the one line
already written
inside you.
Sometimes it takes
a great sky
to find that
first, bright
and indescribable
wedge of freedom
in your own heart.
Sometimes with
the bones of the black
sticks left when the fire
has gone out
someone has written
something new
in the ashes
of your life.
You are not leaving
you are arriving.
~ David Whyte, The House of Belonging, 1997
Sunday Scribblings: Crush
I haven’t done one in a while but there was no way I could let this week’s Sunday Scribblings prompt go ignored. As a teenage girl I was queen of the film star crush, and with every birthday I reached the ages of my crushes increased dramatically; I was the fifteen-year-old crushing on the craggy-faced grey-haired actors – all father figures to be sure.
I went to an all-girls grammar school, and with no brothers or male cousins my access to real boys was limited, so it was my rich imagination that fuelled my fantasies. I’ve had three major relationships in my life, and in the first two I developed crushes on people I knew, signs of my dissatisfaction within the relationships rather than harmless daydreams. However, in my last relationship I had no crushes at all – my love was my crush, he was my matinee idol. This is part of the reason why I avoid looking at photographs of him – I don’t want him to be reduced to an icon on a piece of paper that is inaccessible to me. And so instead I find myself appreciating the intoxicating masculinity of the actors I see on the television or cinema screen; living breathing hot flesh, chiselled jaws, hairy chests, shapely strong arms. I think it would be safe to assume that my libido is returning.
While putting together the montage for this post, my friend Anna called me. When I told her the names of the actors I was including she laughed and pointed out that I have such a definite type. And it’s true, I do – the unifying feature of these four men is their absolute MANLINESS. I’m a tall undeniably feminine woman so I guess it makes sense that nature would make me in such a way that I’d be attracted to my male equivalent. No fey skinny boys for me thanks.
To admit to a crush doesn’t seem very grown-up, but I regard it as one facet of a well-rounded sexuality. I have many crushes on women too and piecing together the second montage I was struck by how similar they all are – and how they are all the very opposite of how I look. Yet I perceive qualities in them I (have been told) I have: a slightly imperious manner, intelligence, sensuality, a definite womanliness. Do we have crushes on the men we want to fuck (I’m sure Pierce is a great conversationalist, but that’s not what I’m interested in), but fancy the women we want to be (looks-wise) and who we can see glimpses of ourselves in? Is Saffron Burrows an idealised version of me, or do I simply want to get inside her knickers?
My libido is definitely returning.
Light and shadows
‘I sit down religiously every morning, I sit down for eight hours every day – and the sitting down is all. In the course of that working day of eight hours I write three sentences which I erase before leaving the table in despair. Sometimes it takes all my resolution and power of self-control to refrain from butting my head against the wall.’ ~ Joseph Conrad (taken from this book)
Right now, on my coffee table, there is a serious-looking Moleskine notebook waiting patiently for me to make notes in it. Next to the Moleskine is a red leather notebook that won’t close neatly due to the explosion of papers and receipts and cuttings and paint bursting out of it. The red notebook is where I am expressing myself each day; the Moleskine is currently ignored. I’m trying to work with myself rather than against: stage one of this process entails removing the word should from my vocabulary. Nothing neutralises the creative mind faster than the shoulds – I should be writing every day; I should be over this pain; I should be getting out more; I should be more dynamic. On and on it goes, spiralling out of my head and into my life.
There is something so freeing about playing with scissors and glue, working with colours and textures, forgetting about doing it the ‘right way’ – the combination of photography and now the art journalling has been such a release. When I feel this blocked (as Conrad describes so perfectly) rather than butt my head against the wall, I lose myself in colour and imagery. I feel it’s all part of the same process: healing, writing, living, creating.
I don’t want the whole of this month to be a write-off, despite the gloom that has been hanging around me. The last few days have brought with them a little sunshine into my head, and I feel lighter, more ready to take up the reins of my life again. Without the shoulds I might be able to get things moving again. That’s the plan anyway…
Valentine
Not a red rose or a satin heart.
I give you an onion.
It is a moon wrapped in brown paper.
It promises light
like the careful undressing of love.
Here.
It will blind you with tears
like a lover.
It will make your reflection
a wobbling photo of grief.
I am trying to be truthful.
Not a cute card or a kissogram.
I give you an onion.
Its fierce kiss will stay on your lips,
possessive and faithful
as we are,
for as long as we are.
Take it.
Its platinum loops shrink to a wedding-ring,
if you like.
Lethal.
Its scent will cling to your fingers,
cling to your knife.
~ Carol Ann Duffy, Mean Time, 1993
Paper therapy
A woman sits on a white sofa, surrounded by jewel-bright silk cushions. She is not moving, her legs tucked under her as if sitting in meditation, but there are tears catching at the corner of her eyes. Invisible straps have her fastened against the front of a train, and the heavy weight of all the days behind her push her forwards, faster and faster, the fields rushing past, people along the way merely streaks of colour. All she can hear is the wind whistling in her ears and her own heart beating out the days, one by one by one, until finally she will reach her destination.
A woman sits on a white sofa, and though she doesn’t move she lives another life, a time filled with passion and yearning, laughter and dreams, played out in front of her like a film. She doesn’t hear the phone when it rings, doesn’t see the television flickering in the corner of the room. She sees a man’s face and she hears his voice, her back arching as he runs his palm over the curve of her hip. She sits in a restaurant and watches his face change as he speaks of his frustrations; she cradles his head in her hands as she kisses his forehead in the dark of the night and makes promises there will not be time to keep.
A woman sits on a white sofa and tries to remember how to breathe.



























